eau (geoff hawryluk) / headstones / dimly lit / untitled (múm 071027) / invitation / neu-múm (múm 071027) / the origin of desire / beardsley / malfunctions + current / dazed (snic 070811) / untitled (portraits 070804) / LCD calibrated / apparitions / better late than never (the acorn 070331) / the clandestine / in the cold / the end of History / how very pomo of you / onward! progress! or so it seems / dark ages / the envy of the nations / tentative growth (mark templeton) / an afterword (rocktography) / the blunders of fame (the sounds) / emerging from memory (faunts) / a reason to be studious / a f t e r l a n d s / Hippocrene Series: no. 1, le petit din-din / portrait of the artist as a novel surrealist / owing / on recollection / rain city / aftereffects / triumph! (desiderata et. al 070203) / children’s hour / an explanation / false cathedrals / highly necessary (desiderata) / GLORIOUS! / hesitation (or, giants) /
Subscribe to Posts         la cathedrale engloutie [at] gmail.com

neu-múm (múm 071027)

NEU-MÚMS

múm as you had known it before this year’s go go smear the poison ivy is gone. this is the new cast, slightly larger, slightly louder. their performance was pretty good, but gone are the elusive childlike vocals i had grown to love (with the departure of krístin anna). the entire set was material from the last album with the exception of three old songs, two of which were strictly instrumental. they did try to do “the ghosts you draw on my back” with dual vocals between örvar and mr.Silla (the blond girl). needless to say for the pre-2007 múm fan, it left something to be desired. like many have already stated, the sound, lineup and feel warrant a new name. this is them doing a little bow after their encore.

at neumos in seattle. 27 october 2007.

28 October 2007 | Tags: , |
2 Comments
Post a Comment »
  1. The vocals weren’t always childish, but they were always mysterious, like a childhood. Need we forget there was already an instrumental lp from these folks.

    Comment by siokaos — 20071029 @ 05:49

  2. true, their instrumentation was a huge part of my adoration for them. BUT that as well changed with krístin anna’s departure. in example: the latest album.

    Comment by kgan — 20071029 @ 23:22

RSS feed for comments on this post. TrackBack URL

Leave a comment

Fields marked with * are required.